Wang Xingwei
Bibliography

Galerie Urs Meile, Beijing-Lucerne (2007). Large Rowboat – Wang Xingwei. Beijing, China.

 

Galerie Urs Meile, Beijing-Lucerne (2006). Wang Xingwei – Collection (with CD). Beijing, Lucerne.

China Art Archives & Warehouse (CAAW), Galerie Urs Meile Beijing-Lucerne (2005). Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing, China.

Deng Zhangyu (September 2016). CHINADAILY.COM.CN (http://m.chinadaily.com.cn/en/2016-09/13/content_26784364.htm?from=timeline&isappinstalled=0) The Disgrace and Honor on canvas

 

Karen Smith (2015). As seen 3: Notable Artworks by Chinese Artists. Post Wave Publishing Consulting (Beijing) Co., Ltd, pp. 103-106.

Philip Tinari (2015). Flash Art. no. 303. Volume 48-2015. July-August-September. Reality and co-reality in painting. Wang Xingwei. “Old Lady” Series (2010-2012), pp. 89-91.

 

Chiu-Ti Jansen (April 2015). Sotheby’s (http://www.sothebys.com/zh/news-video/blogs/all-blogs/eye-onasia/2015/04/in-the-studio-with-zeng-fanzhi.html#) In the Studio with Zeng Fanzhi and Wang Xingwei

 

Zhang Xiyuan (June 2014). Leap. EARLY, Beijing, China, pp. 188-189.

 

Goodrow, G. A. (2014). Crossing China. Land of the Rising Art Scene. DAAB Media GmbH. Cologne, Germany, p. 97.

 

Ally Luo (Nov 2013). a.m.post:. WANG XINGWEI ASSOCIATION WITH IMAGES, Hong Kong, China, pp. 016-019.

 

Wang Xingwei (2013). In: KALEIDOSCOPE. Issue 19 (Fall 2013). Kaleidoscope Press, Milano, pp. 60-68.

 

Hammond, D. (2013). Drew Hammond on Wang Xingwei at UCCA, Beijing: Globalism In Reverse. In: Texte zur Kunst (September), Berlin, pp. 214-217.

 

Simon Zhou (July 2013). Time Out Beijing. A potted version of history, Beijing, China, pp. 51. Jonansen Krause (May 2013). Financial Times (newspaper). Ploughing a new furrow, London, UK.

 

Raphael Gygax (2013). BACK. In: Wang Xingwei (catalogue). Beijing, China, pp. 15-22.

 

Zhang Li (2013). SIDE. In: Wang Xingwei (catalogue). Beijing, China, pp. 51-79.

 

Nataline Colonnello (2013). FRONT. In: Wang Xingwei (catalogue). Beijing, China, pp. 132-149.

 

Robert, C. (2012). GO F!GURE. Contemporary Chinese Portraiture. New South Wales, Australia: Imago, pp.98-99.

 

Su Wei (2012). Wang Xingwei. In: LEAP 2012/2, Beijing, China, pp. 190-191.

 

Wang Xingwei (2011). Wang Xingwei: One Person Playing Song-and-Dance Duet. In: Art World 259, Shanghai, China, p. 111.

 

Luo Ying (2011). Painting “Killer” Wang Xingwei. In: Hi Art 2011/12, Beijing, China, pp.72-75

 

Colonnello, N. (2011). An informal talk between Nataline Colonnello and Wang Xingwei on the exhibition “Wang Xingwei”, 2011. Available: http://www.galerieursmeile.com/artists/artists/wanxingwei//the_texts html. Last accessed 14 December 2011.

 

Colonnello, N. (2011). “Wang Xingwei — Side Park Football Field”. In: 5x5 Castelló 2011 — Premi Internacional d’ Art Contemporani Disputació de Castelló (catalogue). Castelló: Espai d’ Art Contemporani de Castelló, p. 50.

 

Colonnello, N. (2011). “Wang Xingwei — Untitled”. In: Image · History · Existence — Taikang Life 15th Anniversary Art Collection Exhibition (catalogue). Beijing: Culture and Art Publishing House, p. 237.

 

Xu Fang (2011). Wang Xingwei — The Incisive Ventriloquist. In: CIGE Gallery Guide, 16, pp. 62-64.

 

Yinghua Lu, Carol (2011). Wang Xingwei. In: Vitamin P2, New Perspectives in Painting. London: Phaidon Press Limited 2011, pp. 306-307.

 

Zhang Li (2011). True or False? Wang Xingwei, And Everything After. In: LEAP 2011/6, Beijing, China, pp. 122-129.

 

Wang Xingwei (2010). Wang Xingwei. In: The Official Opening of Minsheng Art Museum – Thirty Years of China Contemporary Art 1979-2009 (catalogue). Beijing: Minsheng Art Museum, p. 459.

 

Yinghua Lu, Carol (2009). Wang Xingwei. In: Ai Weiwei, Fan Di’an and Tuymans, L. (ed.). The State of Things – Brussels/Beijing (catalogue). Brussels and Tielt: BOZAR EXPO & Lannoo Publishers, pp. 198-199.

 

White Box Museum of Art (2009). The Home Court. An Exhibition of Contemporary Art (catalogue). Beijing: White Box Museum of Art, pp. 78-79.

 

Albertini, C. (2008). Wang Xingwei. In: Avatars and Antiheroes. A Guide to Contemporary Chinese Artists. Tokyo New York London: Kodansha International, pp. 108-111.

 

Colonnello, N. (2008). On Wang Xingwei’s Recent Oil Paintings. In: From Heaven to Earth. Lorenzo Sassoli de Bianchi, Chinese Contemporary Painting. Bologna: Damiani Editore, pp. 142-155.

 

Nam June Paik Art Center (2008). Now Jump Station (catalogue). Suwon-Seoul: Nam June Paik Art Center, pp. 35, 84-85.

 

O’Dea, M. (2008). Hot Art In The Slow Season. Urbane, 12. pp. 37-39.

 

Yinghua Lu, Carol (2008). The Bad and Beautiful Paintings. Available: http://www.galerieursmeile.com/artists/artists/wang-xingwei//the_texts.html. Last accessed 14 December 2011.

 

Yuki M. (2008). Fugitive Tales. Mute, 1. pp. 24-29.

 

Colonnello, N. (2007). Large Rowboat is Not a Group Show. Art Today, 2. pp. 172-177.

 

Tinari, P. (2007). Wang Xingwei. In: China Art Book. The 80 most renowned Chinese artists. Cologne: DuMont Buchverlag, pp. 440-447.

 

Hopfener, B. (2007). Kunst aus China auf der Art Basel. Steigende Nachfrage. Available: http://www.artnet.de/magazine/news/hopfener/hopfener06-14-07.asp. Last accessed 21 June 2007

 

Colonnello, N. (2007). Wang Xingwei: Large Rowboat. Available: http://new.artzinechina.com/display_vol_aid371_en.html. Last accessed: 14 June 2007.

 

Yinghua Lu, Carol (2007). Review Wang Xingwei: Large Rowboat. Art Asia Pacific, 53. p. 120.

 

Lin Jia (2006). Interview with Wang Xingwei. In: Double-Kick Cracker. Beijing: Tang Contemporary Art Center (Ed.), pp. 138-143.

 

Bonami, F. (2006). China. Japan. Korea. Arte dal Giappone, dalla Cina a dalla Corea. Milan: Electa Mondadori, pp. 226-231.

 

Guandong Fine Art Museum (2006). From ‘Polar Region’ to ‘Iron Westsection’: Northeast Contemporary Art 1985-2006 (catalogue). Guangzhou, China: Lingnan Fine Art Publishing House, pp. 54-57.

 

Ai Weiwei (Ed.) (2006). Instants. 1st Exhibition of Left Right Art Zone. Beijing: Left Right Art Zone, pp. 7-9.

 

Ambrozy, L. (2005). A Discerning Eye - Catch a Sight Unseen at the CAAW this month. That’s Beijing Magazine. Beijing: China International Press. November 2005, pp. 45, 47.

 

Ai Weiwei (2005). The Joy of Running Away And All That Catches The Eye. In: Show Me... Catch Me...Sight Unseen: Xie Nanxing and Wang Xingwei (catalogue). Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne, pp. 7-9.

 

Battiston, E. (2005). Nuove Prospettive Nella Pittura Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani, pp. 16, 130-155.

 

Sassoli de Bianchi, L. (2005). Tra Cielo e Terra. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani, pp. 6, 7.

 

Coen, V. (2005). Orizzonte Cina. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani, p. 9.

 

Colonnello, N., Xie Nanxing, Wang Xingwei (2005). A Criss-Crossed Interview with Xie Nanxing and Wang Xingwei. In: Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei (catalogue). Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne, pp. 14-17.

 

Colonnello, N., Xie Nanxing, Wang Xingwei (2005). Nataline Colonnello, Xie Nanxing and Wang Xingwei’s Talks about the Exhibition Show Me... Catch Me... Sight Unseen. In: In: Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei (catalogue). Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne, pp. 25-31.

 

Gao, Minglu (Ed.) (2005). Rentai – Consuming the Real: Situational Realism in the 1990s. In: Gao, M. The Wall: Reshaping Contemporary Chinese Art (catalogue). Beijing: Millennium Art Museum, pp. 113, 114, 320.

 

Palazzoli, D. (2005). L’arte oltre il 2000 fra pittura e nuovi media. In: Palazzoli, D. Cina: Prospettive d’ Arte Contemporanea (catalogue). Milano: Skira, pp. 106-107.

 

Fibicher, B. (2005). Mahjong - Contemporary Chinese Art From The Sigg Collection (catalogue). Ostifildern-Ruit: Hatje Cantz, pp. 268-271.

 

Colonnello, N. (2005). Pictorial DNA made in China. Introductory by Nataline Colonnello. Galerie Urs Meile, Beijing-Lucerne.

 

Guy & Myriam Ullens Foundation (2004). Wang Xingwei: The Monk and the Demon. Contemporary Chinese Art (catalogue). Lyon, France: Musee d’Art Contemporain, Guangzhou, China: Guangdong Museum of Art, p. 72.

 

Colonnello, N. (2004). Silknet - Emerging Chinese Artists. Introductory by Nataline Colonnello. Galerie Urs Meile, Beijing-Lucerne.

 

Dematté, M. (2004). I Quote, Therefore I am - Wang Xingwei’s Chameleonic Painting. Galerie Urs Meile, Beijing-Lucerne. Flash Art International, Italy. 241, p. 93.

 

Museum of Contemporary Art of Antwerp (MuHKA), Guy & Myriam Ullens Foundation (Eds.) (2004). All Under Heaven. De Baere, B., Chen Shaoxiong, Fei Dawei, Wang Xingwei, and Xu Zhen: A Moment with Wang Xingwei and Xu Zhen. Antwerp Belgium: Antwerp Museum of Contemporary Art of Antwerp.

 

Gu Zhenqing (Ed.) (2004). Chinese Contemporary Art – Texts and Interviews (Chinese Contemporary Art Award CCAA 2004). Beijing: TimeZone 8, pp. 105-108.

 

Shanghai Duolun Museum of Modern Art (Ed.) (2003). Wang Xingwei. In: Open Sky - Contemporary Art Exhibition (catalogue). Shanghai, China, p. 72.

 

Today ArtMuseum, Beijing (Ed.) (2003). Wang Xingwei. In: Second Hand Reality - Post Reality (catalogue). Beijing, China, p. 24.

 

Van Dijk, H., Welsh, E. (2002). Portraits, Figures, Couples and Groups: From the Collection of the Modern Chinese Art Foundation. Beijing: The Modern Chinese Art Foundation (MCAF).

 

Liu Xiaochun, et al. (2001). Wang Xingwei. In: The First Chengdu Biennial (catalogue). Chengdu China: Sichuan Fine Art Publishing House, p. 444.

 

Lü Peng (2000). 90’s Art China - 1990-1999. Shenzhen China: Hunan Fine Art Publishing House, p. 176.

 

Leng Lin (2000). It’s Me! Beijing: China Wenlian Publishing House, p. 20.

Eastlink Gallery, Shanghai, Ai Weiwei (2000). Wang Xingwei. In: Fuck Off (catalogue). Shanghai: Eastlink Gallery, p. 128.

 

Decrop, J.-M., Serfaty, P., et al. (2000). Futuro - Chinese Contemporary Art. Macau: Fundacao Oriente (CACOM), pp. 16, 48.

 

Xu Xiaoyu (1999). Talking is the Road, Hunan Art Publishing House, p. 192.

 

Spada, C. (1999). Hsin: A Visible Spirit - Contemporary Photography from the People’s Republic of China. Cypress College.

 

Clark, J., van Dijk, H. (1999). Inaugural Exhibition Modern Chinese Art Foundation (MCAF) (catalogue).

 

Gent Belgium: Modern Chinese Art Foundation, p.17.

 

Bernell, R. (1999). Notable. The Modern Chinese Art Foundation (MCAF). In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 2 (6), p. 50.

 

Bernell, R. (1999). Review Exhibition Summer Concepts at China Art Archives and Warehouse (CAAW).

 

In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 2 (5), p. 36. Dal Lago, F. (1999). Of Site and Space: The Virtual Reality of Chinese Contemporary Art. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), p. 3.

 

Dematté, M. (1999), Chinese Art ... It’s d’APERTutto!. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), pp. 14, 21.

 

Bernell, R. (1999). Review Exhibition Innovations China Art Archives & Warehouse (CAAW). In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), p. 41.

 

Leng, L. (1999). It’ s Me!. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 1 (6), p. 28.

 

Kielstra, M. (1999). Platform 99 – 70. Young Visual Artists from Asia and Latin America. Amsterdam: Canvas Foundation, p. 66.

 

Huang, Danhui (1998). Review on the first exhibition of seven emerging oil painters from the Northeast (Shoujie Dongbei Youhua Xinrui Qirenzhan Shuping. In: Jiangsu Art Monthly. Nanjing China. 12, p. 23.

 

Chinese Contemporary Art Award (CCAA) (1998), p. 14.

 

Leng, L. (1998). It’s Me! - Main Ritual Hall of the former Imperial Ancestral Temple. Beijing: Workers’ Cultural Palace, Forbidden City, p. 20.

 

Xu Ruotao, Xu Yihui (1998). Corruptionists. Beijing, p. 20.

 

Canvas Foundation and Galerie Serieuze Zaken (1998). Confused ... - Reckoning with the Future. Contemporary Paintings and Photography. Amsterdam, p. 36.

 

Bernell, R. (1998). Review Exhibition Losing Efficiency, Saving Oneself - First Annual Oil Painting Exhibition of Seven Artists From the Northeast. Luxun Art Academy, Shenyang. In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 1 (5), p. 47.

 

Littmann Kultur Projekte, Basel, Parco Square and Kirin Art, Tokyo, Japan (1997), China Now.

 

Zhang, S., et al. (1996). Reckoning with the Past - Contemporary Chinese Painting. Edinburgh: The Fruitmarket Gallery, p. 11.

 

Hu, F., et al. (1996). Aktuelles aus 15 Ateliers. Performances. Installationen. Munich: Hahn Produktion. Jiangsu Art Monthly (1995). Wang Xingwei. All Happy Families are the Same. Nanjing. 3, p. 57.

 

Jiangsu Art Monthly (1994). Test Period - Exhibition about Northeastern young painters Wang Xingwei, Zhang Xin, Ye Yingyu, Liu Rentao. Nanjing. 10, p. 57.