WANG XINGWEI


Publications


Galerie Urs Meile, Beijing-Lucerne (2007). Large Rowboat – Wang Xingwei. Beijing, China.

Galerie Urs Meile, Beijing-Lucerne (2006). Wang Xingwei – Collection (with CD). Beijing, Lucerne.

China Art Archives & Warehouse (CAAW), Galerie Urs Meile Beijing-Lucerne (2005). Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing, China.


Selected Bibliography


Su Wei (2012). Wang Xingwei. In: LEAP – The International Art Magazine of Contemporary China, Beijing, China, pp. 190-191

Wang Xingwei (2011). Wang Xingwei: One Person Playing Song-and-Dance Duet. In: Art World 259, Shanghai, China, pp. 111

Luo Ying (2011). Painting “Killer” Wang Xingwei. In: Hi Art 2011/12, Beijing, China, pp.72-75

Colonnello, N. (2011). An informal talk between Nataline Colonnello and Wang Xingwei on the exhibition “Wang Xingwei”, 2011. Available: http://www.galerieursmeile.com/artists/artists/wang-xingwei//the_texts.html. Last accessed 14 December 2011.

Colonnello, N. (2011). “Wang Xingwei — Side Park Football Field”. In: 5x5 Castelló 2011  — Premi Internacional d’ Art Contemporani Disputació de Castelló (catalogue). Castelló: Espai d’ Art Contemporani de Castelló, p. 50.

Colonnello, N. (2011). “Wang Xingwei — Untitled”. In: Image · History · Existence — Taikang Life 15th Anniversary Art Collection Exhibition (catalogue). Beijing: Culture and Art Publishing House, p. 237.

Xu Fang (2011). Wang Xingwei — The Incisive Ventriloquist. In: CIGE Gallery Guide, 16, pp. 62-64.

Yinghua Lu, Carol (2011). Wang Xingwei. In: Vitamin P2, New Perspectives in Painting. London: Phaidon Press Limited 2011. pp: 306 – 307.

Zhang Li (2011). True or False? Wang Xingwei, And Everything After. In: LEAP, The International Art Magazine of Contemporary China, Beijing, China, pp.122-129.

Wang Xingwei (2010). Wang Xingwei. In: The Official Opening of Minsheng Art Museum – Thirty Years of China Contemporary Art 1979-2009 (catalogue). Beijing: Minsheng Art Museum, p. 459.

Yinghua Lu, Carol (2009). Wang Xingwei. In: Ai Weiwei, Fang Di’an and Tuymans, L. (ed.). The State of Things – Brussels/Beijing (catalogue). Brussels and Tielt: BOZAR EXPO & Lannoo Publishers, pp. 198-199.

White Box Museum of Art (2009). The Home Court. An Exhibition of Contemporary Art: White Box Museum of Art, Beijing, China, pp. 78-79.

Albertini, C. (2008). Wang Xingwei. In: Avatars and Antiheroes. A Guide to Contemporary Chinese Artists. Tokyo New York London: Kodansha International. pp. 108-111.

Colonnello, N. (2008). On Wang Xingwei’s Recent Oil Paintings. In: From Heaven to Earth. Lorenzo Sassoli de Bianchi, Chinese Contemporary Painting. Bologna: Damiani Editore. pp. 142-155

Nam June Paik Art Center (2008). Now Jump Station. Suwon-Seoul: Nam June Paik Art Center. pp. 35, 84-85

O’Dea, M. (2008). Hot Art In The Slow Season. Urbane, 12. pp. 37-39.

Yuki M. (2008). Fugitive Tales. Mute, 1. pp. 24-29.

Colonnello, N. (2007). Large Rowboat is Not a Group Show. Art Today, 2. pp. 172-177.

Tinari, P. (2007). Wang Xingwei. In: China Art Book. The 80 most renowned Chinese artists. Cologne: DuMont Buchverlag. pp. 440-447.

Hopfener, B. (2007). Kunst aus China auf der Art Basel. Steigende Nachfrage. Available: http://www.artnet.de/magazine/news/hopfener/hopfener06-14-07.asp. Last accessed 21 June 2007

Colonnello, N. (2007). Wang Xingwei: Large Rowboat. Available: new.artzinechina.com/display_vol_aid371_en.html. Last accessed: 14 June 2007.

Lu Carol (2007). Review Wang Xingwei: Large Rowboat. Art Asia Pacific, 53. p. 120.

Lin Jia (2006). Interview with Wang Xingwei. In: Double-Kick Cracker. Beijing: Tang Contemporary Art Center (Ed.). pp. 138-143.

Bonami, F. (2006). China. Japan. Korea. Arte dal Giappone, dalla Cina a dalla Corea. Milan: Electa Mondadori. pp. 226-231.

Guandong Fine Art Museum (2006). From ‘Polar Region’ to ‘Iron Westsection’: Northeast Contemporary Art 1985-2006. Guangzhou, China: Lingnan Fine Art Publishing House. pp. 54-77.

Ai Weiwei (Ed.) (2006). Instants. 1st Exhibition of Left Right Art Zone. Beijing: Left Right Art Zone. pp. 7-9.

Ambrozy, L. (2005). A Discerning Eye - Catch a Sight Unseen at the CAAW this month. That's Beijing Magazine. Beijing: China International Press. November 2005, pp. 45, 47.

Ai Weiwei (2005). The Joy of Running Away And All That Catches The Eye. In: Catalogue Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 7-9.

Battiston, E. (2005). Nuove Prospettive Nella Pittura Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. pp. 16, 130-155.

Sassoli de Bianchi, L. (2005). Tra Cielo e Terra. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. pp. 6,7.

Coen, V. (2005). Orizzonte Cina. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. p. 9.

Colonnello, N., Xie Nanxing, Wang Xingwei (2005). A Criss-Crossed Interview with Xie Nanxing and Wang Xingwei. In: Catalogue Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 14-17.


Colonnello, N., Xie Nanxing, Wang Xingwei (2005). Nataline Colonnello, Xie Nanxing and Wang Xingwei’s Talks about the Exhibition Show Me... Catch Me... Sight Unseen. In: Catalogue: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 25-31.


Gao, Minglu (Ed.) (2005). Rentai – Consuming the Real: Situational Realism in the 1990s. In: Gao, M. The Wall: Reshaping Contemporary Chinese Art. Beijing: Millennium Art Museum. pp. 113-114, 320.

Palazzoli, D. (2005). L’arte oltre il 2000 fra pittura e nuovi media. In: Palazzoli, D. Cina: Prospettive d' Arte Contemporanea. Milano: Skira. pp. 106-107.

Fibicher, B. (2005). Mahjong - Contemporary Chinese Art From The Sigg Collection. Ostifildern-Ruit: Hatje Cantz. pp. 268-271.

Colonnello, N. (2005). Pictorial DNA made in China. Introductory by Nataline Colonnello. Galerie Urs Meile, Beijing-Lucerne.

Guy & Myriam Ullens Foundation (2004). Wang Xingwei: The Monk and the Demon. Contemporary Chinese Art. Lyon, France: Musee d'Art Contemporain, Guanzhou, China: Guangdong Museum of Art. p. 72.

Colonnello, N. (2004). Silknet - Emerging Chinese Artists. Introductory by Nataline Colonnello. Galerie Urs Meile, Beijing-Lucerne.

Dematté, M. (2004). I Quote, Therefore I am - Wang Xingwei's Chameleonic Painting. Galerie Urs Meile, Beijing-Lucerne. Flash Art International, Italy. 241, p. 93.

Museum of Contemporary Art of Antwerp (MuHKA), Guy & Myriam Ullens Foundation (Eds.) (2004). All Under Heaven. De Baere, B., Chen Shaoxiong, Fei Dawei, Wang Xingwei, and Xu Zhen: A Moment with Wang Xingwei and Xu Zhen. Antwerp Belgium: Antwerp Museum of Contemporary Art of Antwerp.

Gu Zhenqing (Ed.) (2004). Chinese Contemporary Art – Texts and Interviews (Chinese Contemporary Art Award CCAA 2004). Beijing: TimeZone 8. pp. 105-108.


Shanghai Duolun Museum of Modern Art (Ed.) (2003). Open Sky - Contemporary Art Exhibition. Wang Xingwei. Shanghai. p. 72.

Today Art Gallery, Beijing (Ed.) (2003). Second Hand Reality - Post Reality. Wang Xingwei. Beijing. p. 24.

Van Dijk, H., Welsh, E. (2002). Portraits, Figures, Couples and Groups: From the Collection of the Modern Chinese Art Foundation. Beijing: The Modern Chinese Art Foundation (MCAF).

Liu Xiaochun, et al. (2001).The First Chengdu Biennial. Wang Xingwei. Chengdu China: Sichuan Fine Art Publishing House. p. 444.

Lü Peng (2000). 90's Art China - 1990-1999. Shenzen China: Hunan Fine Art Publishing House. p. 176.

Leng Lin (2000). It’s Me! Beijing: China Wenlian Publishing House. p. 20.

Eastlink Gallery, Shanghai, Ai W. (2000). Fuck Off. Wang Xingwei. Shanghai: Eastlink Gallery. p. 128.


Decrop, J.-M., Serfaty, P., et al. (2000). Futuro - Chinese Contemporary Art. Macau: Fundacao Oriente (CACOM), pp. 16, 48.

Xu Xiaoyu (1999). Talking is the Road, Hunan Art Publishing House. p. 192.

Spada, C. (1999). Hsin: A Visible Spirit - Contemporary Photography from the People's Republic of China. Cypress College.

Clark, J., van Dijk, H. (1999). Inaugural Exhibition Modern Chinese Art Foundation (MCAF). Gent Belgium: Modern Chinese Art Foundation. p.17.

Bernell, R. (1999). Notable. The Modern Chinese Art Foundation (MCAF). In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 2 (6), p. 50.

Bernell, R. (1999). Review Exhibition Summer Concepts at China Art Archives and Warehouse (CAAW). In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 2 (5), p. 36.

Dal Lago, F. (1999). Of Site and Space: The Virtual Reality of Chinese Contemporary Art. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), p. 3.


Dematté, M. (1999), Chinese Art ... It's d’APERTutto!. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), pp. 14, 21.

Bernell, R. (1999). Review Exhibition Innovations China Art Archives & Warehouse (CAAW). In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4). p. 41.

Leng, L. (1999). It' s Me!. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 1 (6), p. 28.

Kielstra, M. (1999). Platform 99 – 70. Young Visual Artists from Asia and Latin America. Amsterdam: Canvas Foundation. p. 66.

Huang, Danhui (1998). Review on the first exhibition of seven emerging oil painters from the Northeast (Shoujie Dongbei Youhua Xinrui Qirenzhan Shuping. In: Jiangsu Art Monthly. Nanjing China. 12. p. 23.

Chinese Contemporary Art Award (CCAA) )(1998). p. 14.

Leng, L. (1998). It's Me! - Main Ritual Hall of the former Imperial Ancestral Temple. Beijing: Workers' Cultural Palace, Forbidden City. p. 20.

Xu Ruotao, Xu Yihui (1998). Corruptionists. Beijing. p. 20.

Canvas Foundation and Galerie Serieuze Zaken (1998). Confused ... - Reckoning with the Future. Contemporary Paintings and Photography. Amsterdam. p. 36.

Bernell, R. (1998). Review Exhibition Losing Efficiency, Saving Oneself - First Annual Oli Painting Exhibition of Seven Artists From the Northeast. Luxun Art Academy, Shenyang. In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 1 (5), p. 47.


Littmann Kultur Projekte, Basel, Parco Square and Kirin Art, Tokyo, Japan (1997). China Now.

Zhang, S., et al. (1996). Reckoning with the Past - Contemporary Chinese Painting. Edinburgh: The Fruitmarket Gallery. p. 11.

Hu, F., et al. (1996). Aktuelles aus 15 Ateliers. Performances. Installationen. Munich: Hahn Produktion.

Jiangsu Art Monthly (1994). Test Period - Exhibition about Northeastern young painters Wang Xingwei, Zhang Xin, Ye Yingyu, Liu Rentao. Nanjing. 10, p. 57.

Jiangsu Art Monthly (1995). Wang Xingwei. All Happy Families are the Same. Nanjing. 3, p. 57.