LI ZHANYANG


Publications

Galerie Urs Meile, Beijing-Lucerne (2008). ‘Rent’- Rent Collection Yard. Li Zhanyang. Beijing.

Galerie Urs Meile, Lucerne-Beijing (2006). Scenes. Li Zhanyang. Beijing: Galerie Urs Meile, TimeZone8.

Guo Xiaochuan (Ed.) (2002). Li Zhan Yang. Beijing: Chinese Art Today Series.


Selected Bibliography


Binswanger, D. (2008). Vom Plastik zur Plastik. Der Kunstmarkt ist längst kein chinesisches Mauerblümchen mehr. Das Magazin, 31. pp. 18-25.

Ai Weiwei, Li Zhangyang (2008). Ai Weiwei Interviews Li Zhanyang. In: ‘Rent’- Rent Collection Yard. Li Zhanyang. Beijing: Galerie Urs Meile. p. 133-149.

Donker Duyvis, P. (2008). About Li Zhanyang. In: ‘Rent’- Rent Collection Yard. Li Zhanyang. Beijing: Galerie Urs Meile. p. 45-47.

Colonnello, N., Li Zhanyang (2008). A Talk with Li Zhanyang about ‘Rent’- Rent Collection Yard. In: ‘Rent’- Rent Collection Yard. Li Zhanyang. Beijing: Galerie Urs Meile. p. 25-41.

Gao Minglu (2008). Rent: A Plot, or Pure Consciousness. Li Zhanyang’s ‘Rent’- Rent Collection Yard. In: ‘Rent’- Rent Collection Yard. Li Zhanyang. Beijing: Galerie Urs Meile. p. 15-21.

Ai Weiwei (2008). Do as You Wish. In: ‘Rent’- Rent Collection Yard. Li Zhanyang. Beijing: Galerie Urs Meile. p. 11.

Colonnello, N. (2008). On Li Zhanyang’s New Works. Art China, 4. pp. 60-62.

Fan Di’an (2007. Li Zhanyang. In: Floating. New Generation of Art in China. National Museum of Contemporary Art, Korea, doArt Co. pp. 52-53.

Brand, H. (Ed.) (2007). Li Zhanyang. In: Red Hot. Asian Art Today From the Chaney Family Collection Houston: The Museum of Fine Arts. p. 11.

Wang Lin (Ed.) (2007). Grassroots Humanism: 21 Cases of Contemporary Art. Hong Kong: Gongyuan Publishing House. pp. 13-18.

Li Zhanyang (2007). The Jesus Christ in Huangjueping. Visual Production 3(1-2), pp. 167-167.

National Museum of Contemporary Art Korea (Ed.) (2007). Floating – New Generation of Art in China. Seoul: doART Co. pp. 49-53.

Rhee, W., Weibel, P., Jansen, G. (Eds.) (2007). Digitized Social, Political, and Economic Status. Li Zhanyang. In: Thermocline of Art. New Asian Waves. Ostfildern-Ruit: Hatje Cantz Verlag. pp. 44-45.

Gao Minglu (2006). The Power of Grassroots Realism. Li Zhanyang’s Artistic Populism. In: Scenes. Li Zhanyang. Beijing: Galerie Urs Meile, TimeZone8. pp. 18-25.

Donker Duyvis, P. (2006). The Temptation of the Monk. Some remarks about the works of Li Zhanyang. In: Scenes. Li Zhanyang. Beijing: Galerie Urs Meile, TimeZone8. pp. 30-33.

Li Zhanyang, Li Xianting (2006). An Interview with Li Zhangyang by Li Xianting. In: Scenes. Li Zhanyang. Beijing: Galerie Urs Meile, TimeZone8. pp. 42-53.

Gao Minglu (2005). The Wall: Reshaping Contemporary Chinese Art. Beijing: Millennium Art Museum & Buffalo: Albright-Knox Art Gallery, Center for the Arts University at Buffalo. p. 219, pp. 308-309.

Fan Di-An (2002). Li Zhanyang: The Manner of "Seeing" and Ability of "Doing". In: Li Zhan Yang. Beijing: Chinese Art Today Series (Guo Xiaochuan, Ed.). pp. 9-10.