LI DAFANG

 

Publications


Galerie Urs Meile, Beijing-Lucerne (2007). Li Dafang 1997-2007 (Catalogue). Beijing and Lucerne.

Ai Weiwei, Feng Boyi (Eds.) (2005). The Light of Day. Li Dafang (Catalogue). Beijing: China Art Archive & Warehouse (CAAW).

Zhang Li (Ed.) (2003). Adventure (Catalogue). Beijing: Ewe Fine Arts.


Selected Bibliography


Mack, G. (2009). Die Königin strahlt in neuem Glanz – Von Krise keine Spur: Die Art Basel präsentiert sich an ihrem 40. Geburtstag erneut als Mass der Dinge im Kunstmarkt. NZZ am Sonntag, 14 June 2009, p 49.

Jocks, H. N. (2008). Li Dafang – Die Schatten der Erinnerung. Ein Gespräch von Heinz-Nobert Jocks. Kunstforum International, November-December, 194. pp. 218–227.

Carol Yinghua Lu (2008). Li Dafang. Abandoned factories and sad machinery; fantasy, reality and ambiguity. Frieze, 115. pp. 146-147.

Smith, K. (2007). The Dramatic Vision of Li Dafang. In: Li Dafang 1997-2007 (Catalogue). Beijing and Lucerne: Galerie Urs Meile. pp. 8-15.

Feng Boyi (2007). On Li Dafang’s Oil Painting. In: Li Dafang 1997-2007 (Catalogue). Beijing and Lucerne: Galerie Urs Meile. pp. 18-21.

Münter, U. (2007). The Eloquent Silence of Painting. Li Dafang’s Image Narrations. In: Li Dafang 1997-2007 (Catalogue). Beijing and Lucerne: Galerie Urs Meile. pp. 26-29.

Ai Weiwei, Li Dafang (2007). An Interview with Li Dafang. In: Li Dafang 1997-2007 (Catalogue). Beijing and Lucerne: Galerie Urs Meile. pp. 36-41.

Fu Xiaodong (2007). Interview with Li Dafang. Art China, 5. pp. 32-39.

Duff, S. (2007). Ray of light. Time Out Beijing, 39. p. 44.

Dong Bingfeng, Guo Xiaoli, Li Dafang (2006). Interview with Li Dafang: Looking on memory. In: Museum Guangdong Fine Art (Ed.) From “Polar Regon” to “Iron Westsection”: Northeast Contemporary Art 1985-2006. Guangzhou: Lingnan Fine Arts Publishing House. pp. 226-228.

Fu Xiaodong, Sun Ning, Li Dafang (2006). Narration - Li Dafang. In: Fu Xiaodong, Sun Ning (Eds.) Removing the Ladder. Beijing: Platform China Contemporary Art Institute. pp. 12-23.

Gu Zhenqing (2006). Li Dafang. In: Pi Li, Don K. (Eds.) Twelve: Chinese Contemporary Art Awards 2006. Shanghai: Shanghai Zendai Museum of Modern Art. pp. 60-63.

Li Xiaoshan (Ed.) (2006). Beyond Dimension. Chinese New Painting. Wuhan: Hubei Fine Arts Publishing House. pp. 45-48.

Lin Agnes (Ed.) (2006). SUSI: Key to Chinese Art Today. Hong Kong: Osage Art Foundation. pp. 60-63.

Shen Qibing (Ed.) (2006). The Self-Made Generation. A Retrospective of New Chinese Painting. Shanghai: Shanghai Zendai Museum of Modern Art. pp. 89-92.


Shu Yang, Li Dafang (2006). Interview with Li Dafang - Caused by the environment. In: Shu Yang, Krasteva, S. (Eds.) The Road Map of Painting 2. Beijing: Beijing Tokyo Art Projects. pp. 20-21.

Ai Weiwei, Feng Boyi (Eds.) (2005). Li Dafang interviewed by Ai Weiwei and Feng Boyi. In: The Light of Day. Li Dafang (Catalogue). Beijing: China Art Archive & Warehouse (CAAW). pp. 6-10.

2005 Chengdu Biennial Document Editorial Committee (Ed.) (2005). Sight: The Century and the Heaven: 2005 Chengdu Biennial Document. Chengdu: Sichuan Fine Arts Publishing House. pp. 70-71.

Fu Xiaodong (2005). N kinds of possibilities on Shenyang frame. Meiyuan - Journal of Luxun Academy of Fine Arts, 135, 5. pp. 7-13.

Liu Renjie, et al. (Eds.) (2005). Teachers’ Works of the Oil Painting Department of Luxun Academy of Fine Arts 2001-2005. Shenyang: Liaoning Fine Arts Publishing House. pp. 116-123.

Qiu Zhijie (2005). Li Dafang. In: Qiu Zhijie, Zuo Jing, Zhu Dan (Eds.) Archaeology of the Future: The Second Triennial of Chinese Art 2005. Wuhan: Hubei Fine Arts Publishing House. pp. 231-233.

Sansone, V. (Ed.) (2005). Praguebiennale2. Expanded Painting/Acción Directa. Milan: Giancarlo Politi Editore. p. 257.

Battiston, E. (2005). Nuove Prospettive Nella Pittura Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna: Damiani.pp. 16, 72-85.

Shu Yang (2005). La Pittura Fotografica Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna: Damiani. p. 20.

Yi Ying (2005). Image criticism - On Li Dafang’s oil paintings. Chinese Art. 38, 1. pp. 50-53.

Fine Art Archive (Ed.) (2004). The First Wuhan Fine Arts Invitation Exhibition 2004. Wuhan: Hubei Fine Arts Publishing House. pp. 88-89.

Li Dafang (2004). No Title. Li Dafang’s Statement. In: Gallery Eastlink (Ed.) Matchmaking at Suzhou Creek. Shanghai: Eastlink Gallery. p. 88.

Li Dafang (2004). No Title. Li Dafang’s Statement. In: Xie Suzhen (Ed.) Spellbound Aura: The New Vision of Chinese Photography. Taipei: Contemporary Art Foundation, Museum of Contemporary Art, Taipei. pp. 60-63.

Shu Yang (Ed.) (2004). China’s Photographic Painting. Hong Kong: Culture of China Publication Co. Ltd. pp. 20-21.

Jin Shangyi, et al. (Eds.) (2003). Embracing the New Century: Third China National Exhibition of Oil Paintings. Oil Paintings of Liaoning Province Exhibition. Guangzhou: Lingnan Fine Arts Publishing House. p. 70.

Li Dafang, Wei Ershen (2003). The Image of the Image - 2003 Invitation Exhibition of Contemporary Chinese Oil Painting (Dong Xiaoming, Ed.). Nanning: Guangxi Fine Arts Publishing House. pp. 24-29.

Yi Ying (2003). Image criticism - On Li Dafang’s oil paintings. World Art. 99, 3. pp. 82-85.

Wei Ershen (2003). About Li Dafang. In: Adventure (Catalogue, Zhang Li, Ed.). Beijing: Ewe Fine Arts. p. 4.

Zhang Li (2003). Waiting for candies in the realistic landscape. In: Adventure (Catalogue, Zhang Li, Ed.). Beijing: Ewe Fine Arts. pp. 10-11.

Zhang Li, Li Dafang (2003). Interview. In: Adventure (Catalogue, Zhang Li, Ed.). Beijing: Ewe Fine Arts. pp. 15-17.

Zhu Qi (2003). Enter the depth of insignificance. The experiment of graphic narration in Li Dafang’s paintings. In: Adventure (Catalogue, Zhang Li, Ed.). Beijing: Ewe Fine Arts. pp. 71-73.

Li Dafang (2003). Self-Portrait. In: Adventure (Catalogue, Zhang Li, Ed.). Beijing: Ewe Fine Arts. pp. 93-95.

Li Dafang (2002). Li Dafang’s work. Shanghai Artist. 90/91, 1-2. pp. 106-109.

Modern Chinese Art Foundation (MCAF) (Ed.) (2001). Portraits, Figures, Couples and Groups. From the Collection of the Modern Chinese Art Foundation. Gent: The Modern Chinese Art Foundation. p. 15.

Huang Danhui (2000). Open space of polysemy juxtaposition - Analysis of Li Dafang’s new painting. Jiansu Art Monthly. 229, 1. pp. 44-45.

Li Dafang (2000). The revival of painting - The intervention of conceptuality. Meiyuan - Journal of Luxun Academy of Fine Arts. 105, 4. pp. 18-21.

Yin Shuangxi (2000). Image vs. picture. Artcircle. 153/154, 8-9. pp. 6-13.

Qin Feng, Hu Junjun, Yang Ping, et al. (Eds.) (1994). Painting Collection China Professional Painter’s Exhibition. Hong Kong: New Century Publishing House. p. 30.